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"A Butterfly's View" will run September 18 through October 31, 2002 at Papillon Bistro Francais, 401 Louisiana in Houston's Downtown Theatre District

Papillon hosted 3-days of Opening events that combined the Papillon fine wine & dining experience with ArtView's visual art works to celebrate the opening of Houston's 2002-2003 Season of the Performing Arts. "A Butterfly's View" has been held over at Papillon through the month of October.
















Ray is a professional Houston photographer and teaches at Jack Yates High School, HISD's Magnet School of Communications. Ray's photographs and photographs by 7 of his photography students are included in the show.

For more information about Ray Carrington and his students Click Here.





Fantastical (2002)
Acrylic on canvas 24" x 48"



Tyler Hiroms says that when she does her art work--when she can finally shut out the noisy world and focus on color and the movement of a pencil or brush--only then does her own world begin to take shape.

"Sometimes I am tortured by the idea of an empty canvas. What to do? Where to begin? Somehow it seems to flow if I just pick up the darned paintbrush!"

Tyler believes that every child is born a natural artist, that some hold onto that gift while others let it go and grasp onto something else.

"One piece of advice I can give as an artist is not to give in to frustrations to the point where you block out your imagination. You've got to free your mind and just let art happen."


For more information about Tyler and to see more of her work Click Here.









Earlie Hudnall is a well known Houston photographer whose work has been described as "arguably the most accurate chronicler of black life over the last twenty years."

"I chose the camera as a tool to document different aspects of life: who we are, what we do, how we live, what our communities look like. These various patterns are interwoven like a quilt into important patterns of history. A unique commonality exists between young and old because there is always a continuity between the past and the future. It is this commonality which I strive to depict in my work.

The camera really soes not matter; it is only a tool. What is important is the ability to transform an instant, a moment into a meaningful, expressive and profound statement, some of which are personal and some of which have a symbolic and universal meaning. My photographs are mere archetypes of my childhood. They represent a literal transcription of actuality--the equivalent of what I saw or felt. The viewer must accept the image as his own and respond emotionally and aesthetically to the captured image.

For more information about Earlie Hudnall Click Here.


Embrace In Progress
Iris Print on Somerset Velvet paper 35" x 47" (1999-2000)
Edition of 20

"This edition was printed in three different colors. The highly specialized equipment used to scan and print the image enabled us to generate prints that are larger than the original painting and still retain maximum quality."

Executed at Cone Editions Press in collaboration between the artist and Larry Danque, the edition consists of:

#1 - 6 "First Light" are faithful to the original colors;
#7 - 9 "Pure Light" are rendered in black and white; and
#10 - 20 "New Light" were enhanced in PhotoShop

The original acrylic painting is also available.


For more information about Ginette and to see more of her work Click Here.






The Mountains Of My Native Land
24” x 48” Acrylic and ink on canvas (2002)
Diptych; each painting 24" x 24"

Words discreetly written on painting: The canopied banks of Houston's bayous whisper stories of an infant city, "handsome and beautifully elevated, salubrious and well-watered."* Before Spindletop and the port and trade, before cotton and oil and air conditioning, before the stretches of cement highway and towering glass masterpieces, before theater and ballet, opera and symphony, intermittent murmurs of light rail - were wide, flat expanses of praire interrupted only by water, and by the hopes that lay ahead.

*Ad placed by August C. and John K. Allen of New York, 8-30-1836


For more information about Marlo and to see more of her work Click Here.










ORCHIDACEAE
Phalaenopsis stuartiana (2/27/00)
Silver Gelatin (Selenium Toned) Print

"I live with and raise orchids. Each one has a duel nature: both a creature from its own exotic world and a reflection of our sensual or spiritual nature. Each one asks to be photographed in its own way. I merely listen and follow the instruction of each.

"In order to convey the special world of the orchid to you, I use a 4 x 5 Deardorff with a long lens and long bellows. I subject each negative to the solarization technique (made famous by Man Ray) in order to create the atmosphere or environment in which each orchid lives its unique existence. Each negative is printed in a straightforward way on silver gelatin paper and toned with selenium."


For more information about Frazier and to see more of his work Click Here.




Color Series I
Untitled (07-07-91)
Prismacolor Pencil on Paper

"The drawings in this series are all about 'relationships'... the interaction of graphic elements. They are simply "expressions" in line, shape and color. Not intended to be understood, the idea is simply for you, the viewer, to relate to the elements... to notice if they impact you in a way that you somehow appreciate."

For more information about Hal and to see more of his work Click Here.


Maya Watson is a native Houstonian. Her her colorful work includes figurative abstract imagery as well as more realistic life renderings.

For more information about Maya Click Here.


Tom Richardson was the attending photographer for the Opening events for "A Butterfly's View" on September 18-20. All images captured at Papillon for ArtView may be viewed and purchased at www.southernexposure.biz by going to Photo Store and typing the password "ArtView." If you need assistance, call (281)362-8119.

Floral arrangements for these events were donated by A Yellow Rose Floral Boutique--Shawn Jacks, Designer. (281)376-ROSE

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